Is Everything an A.S.M.R. Video Now?

A person, typically a woman, is talking gently into a microphone. She’s paying close attention to you. Perhaps she’s asking you about your day, or role-playing the part of an aesthetician or doctor or your best friend at a slumber party. Maybe she’s about to give you a facial. Or examine your eyes with a…

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On Mother’s Day – The New York Times

I’ve always been a daughter on Mother’s Day. Even after my sister and I had our own kids, Mother’s Day meant visiting Mom at our childhood home with its untouched 1980s kitchen, bearing flowers and platters of bagels and lox. I would pick up the Russ & Daughters order, my sister would arrange the peonies…

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Big, Smoggy Bangkok Gets a Badly Needed Breath of Fresh Air

For more than half a century, Thailand’s state-owned tobacco monopoly mass-produced cigarettes at a sprawling industrial estate in Bangkok. A steady stream of heavy trucks brought raw tobacco into the heart of the city and hauled millions of cigarettes away. But now, that cancer-inducing complex has given way to something completely different: green space that…

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Five-Star Three-Cup Chicken – The New York Times

Good morning. It’s Mother’s Day weekend for all those who celebrate, which is many of us, even if she’s been gone a few years now and didn’t like the holiday anyway. Mom’s getting younger, in memory, and we’re getting older to meet her at the pass. The relationship’s deepening. It’s easier to understand some of…

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How a Novelist Became a Pop Star

“I hope you fall in love, I hope it breaks your heart” is the refrain (in English translation) of “Pasoori,” Ali Sethi’s 2022 global hit. Is this a curse or a blessing? The song, performed as a duet with the Pakistani singer Shae Gill, defies such simple classifications — it’s a pop banger sung in…

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The Black Female Artists Redefining Minimalism

JENNIE C. JONES was a 20-year-old art student when she first saw the work of the minimalist painter and sculptor Ellsworth Kelly installed at the Art Institute of Chicago in 1989. These were some of Kelly’s signature panels: bold, monochromatic shapes of saturated color in oil on canvas. They were flat like paintings but sculptural…

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